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Trish
 

I'm Patricia Lösch (aka "Trish", "Patty_DeLete"), built in 1966
human, singer (featuring-trish.de)
and hobby photographer (rindermolch.de) (insta "patty_delete")

What am I doing there ...

I have been photographing many years just for fun, and not at last because the world
is so is inspiring.
Technical stuff as depth of field, HD-resolution and tons of megapixels are not important
to me, only the motive - to capture it and definitely not miss it -
catch the feeling of the moment...and do not kill it by perpetuating with camera settings.

This often leads to problems with sharpness or I just have the totally wrong camera in my
 hand but that's just not important to me. All I want is the moment :)

Camera technology (quite antiquarian for today's conditions):

-CANON Powershot G11 (unfortunately the last Powershot with folding display)
-BROWN TREND ZOOM 70 CF Autofocus analog camera (just takes beautiful photos)
-CANON Ixus 40 (handy for the pocket)
-Acer One 10 Notebook
-Nokia 5.1 Smartphone

One day I started playing with various image editing programs started fascinating me!
This is how projects such as "graphics" were created, partly made of photos I took on landfills.
Aswell as my "aliens" - mostly created from landscape-shots with reflection-effects and editing-tools.

Whatever is inspiring - can an shall influence my work.

So a painting (Die Mondfrau) that a friend the painter (Sunwolf) has given to us as a present,
inspired me to a photo series (to be continued), in which the painting goes on a journey.
I've always been bothered by the fact that paintings are mostly presented in totally uninspiring
environment - museums. For me the most boring places in the world !!!

I think images need an environment that is reminiscent of the atmosphere, in which the picture
or other artwork was or could have been created - which happens barely in white rooms with
energy-saving-lights and in places where there is no environmental noise - terrible.

Quite a lot of people love it - I don't :)

The argument for presenting art on white walls is that they will not have to compete with the
environment - for me complete nonsense.
With my "Mondfrau-Projects" I want to prove that artwork is absolutely able to consist
everywhere and makes its new environment even more inspiring.

My dream would be that even really well-known so called "big" paintings or sculptures will
be presented in a park between trees and flowers with light and shade and environmental sounds.
Or maybe in abandoned factories etc.

Which, of course, no one would insure - and that's the problem.
Because of extremely theoretical values ​​of so-called "big" paintings/artwork
(for me not comprehensible) such images are sealed in a sterile safe environment - so sad.
Well - art is subordinated to the art business - but seriously - art does not need that
and it should not be unreachable in safes, behind glass stand on a pedestal -
let's bring art out into the world - in the middle of life and people!

Have fun with my pictures! 
 
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